Search results for " South Slavic People"
showing 3 items of 3 documents
FOREWORD a Musicologie sans frontières/Muzikologija bez granice/Musicology without frontiers. Essays in Honour of Stanislav Tuksar
2010
La vita e l'opera di Stanislav Tuksar e il suo contributo alla musicologia internazionale. In particolare gli studi di estetica della musica e di storiografia, nonché il suo lavoro di editor della "International Review of the Aesthetics and Sociology of Music" e i saggi importanti sul rapporto tra le culture nazionali e il cosmopolitismo nell'Europa centrale, in relazione alla Croazia e agli Slavi del Sud dal sedicesimo al diciannovesimo secolo.
From the Morlack to the Slav: Images of South Slavic People between Exoticism and Illyrism in Italian Literature and Opera during the 19th Century
2012
Alberto Fortis’ “Viaggio in Dalmazia” (Padua, 1774) described for the first time the Morlacks (Cr. “Vlasi”) of the inner Dalmatia as the true model of a primitive group, whose characteristics became a source of inspiration until 1830s for some Italian writers and ballet composers devoted to exoticism. Contemporaneously, Homer’s paradigm, introduced by Melchiorre Cesarotti in the foreword to the Italian version of the poems of Ossian (1763), as quoted by Fortis, was in turn transformed by the composer and doctor of Split Giulio Bajamonti. Even though published in Italian, Bajamonti’s “Morlacchismo d’Omero” (Venice, 1797) must be considered as the first contribution to the romantic Croatian l…
Morlacchismo, illirismo, involuzioni esotiche. L’immagine degli slavi del sud nel teatro e nella musica dell’Ottocento in Italia/Morlakizem, ilirizem…
2014
Alberto Fortis’ Viaggio in Dalmazia (Venice, 1774) described for the first time the Morlacks of the interior of Dalmatia as the true model of a primitive group, whose characteristics became an exotic source of inspiration for some Italian writers and ballet composers until 1830s. Contemporaneously, the Homer’s paradigm was introduced by Melchiorre Cesarotti in the foreword joined to the Italian version of the poems of “Ossian” (1763), and it was in turn transformed by the composer and doctor of Split Giulio Bajamonti. Even though published in Italian, Bajamonti’s Morlacchismo d’Omero (Venice, 1797) can be considered the first contribution to the romantic Croatian literature. The essay of Ba…